Wednesday, October 12, 2011

Film Reviews: "Everything Must Go" and "Where The Wild Things Are"


Remember that your blog content pretty much IS your grade, and at the very least I want to see some sort of expressed enthusiasm for films if not reading.  We all read the above mentioned titles, and we watched both films (mostly) which should be enough to generate a well informed opinion.  Why not write a film review?  Thumbs up or thumbs down.  4 stars out of 5.  Whatever you want.
Check out the way reviews are written at Rotten Tomatoes.  Here are links to the films which you are welcome to agree or disagree with:


Everything Must Go  

Where The Wild Things Are

A "Cold Read" of the Cuckoo's Nest Shooting Script...

Hopefully, by now, most of you have at least a hundred pages under your belt (or, better yet, have finished reading).  Today, I'd like to spend some time doing a "cold read" of the shooting script.  This is a fun and useful task which you should try and do once in a while before watching the actual film.

Here is the link:

Wednesday, October 5, 2011

Check out the following image, and it is hard to argue that "The Hero's Journey" doesn't always stand (at least to some extent) in EVERY story.  Today you have to come up with your own within one of the two stories - Wild Things, or Dance.


Today's exercise - I'd like you to get into your groups, and chose one of the two stories below to plug into a Hero's Journey. While "Wild Things" already has one in place in the children's book, you still have to broaden it and expand it.  For "Why Don't You Dance," you have a lot of freedom to come up with scenarios and a set-up to deliver the gist of the story. 

Copy and paste the work below and plug it into your blogs.


Group Members:

Our Story:

Why we chose it: 



ACT I

1. Ordinary World:

2. Call to Adventure:

3. Refusal of the Call:

4. Meeting the Mentor:

5. Crossing the Threshold:


ACT II

6. Tests, Allies, Enemies:

7. Approach to the Innermost Cave:

8. Ordeal:

9. Reward:


ACT III

10. The Road Back:

11. Resurrection:

12. Return With the Elixir:

Points of contention - ifs/ands/buts:

Short-Story as Film Adaptation: Maurice Sendak's "Where The Wild Things Are"

 

Above is a the contents of the book itself presented in a video.  Here is a link to a PDF  version

Lot's of stuff on Wikipedia, IMDB, and Rotten Tomatoes.

Interesting things I came across, the author of the original book is a bit of a jerk. Which kind of shows in the book.  Oddly enough, the book was banned from libraries when it first came out because it was too "angry." According to Wiki:

Literary significance

According to Sendak, at first the book was banned in libraries and received negative reviews. It took about two years for librarians and teachers to realize that children were flocking to the book, checking it out over and over again, and for critics to relax their views.[7] Since then, it has received high critical acclaim. Francis Spufford suggests that the book is "one of the very few picture books to make an entirely deliberate, and beautiful, use of the psychoanalytic story of anger".[8] Mary Pols of Time magazine wrote that "[w]hat makes Sendak's book so compelling is its grounding effect: Max has a tantrum and in a flight of fancy visits his wild side, but he is pulled back by a belief in parental love to a supper 'still hot,' balancing the seesaw of fear and comfort."[9] New York Times film critic Manohla Dargis noted that "there are different ways to read the wild things, through a Freudian or colonialist prism, and probably as many ways to ruin this delicate story of a solitary child liberated by his imagination."[10] In Selma G. Lanes's book The Art of Maurice Sendak, Sendak discusses Where the Wild Things Are along with his other books In the Night Kitchen and Outside Over There as a sort of trilogy centered on children's growth, survival, change and fury.[11][12] He indicated that the three books are "all variations on the same theme: how children master various feelings - danger, boredom, fear, frustration, jealousy - and manage to come to grips with the realities of their lives."[11] The book was awarded the Caldecott Medal in 1964.